26 April 2025

Wednesday, 30 April @ Harvard Fairbank Center: “Film Screening, Part 2 – River Elegy (河殇), Episodes 3 – 6 featuring Andrew S. Erickson & Shih-Diing Liu”

This event is sponsored and organized by the Fairbank Center for Chinese Studies, Harvard University.

  • Harvard University, CGIS South S020, Belfer Case Study Room
  • 1730 Cambridge Street, Cambridge, MA 02138
  • Wednesday, April 30 @ 1:30 pm 4:30 pm

Andrew S. Erickson, Professor of Strategy, China Maritime Studies Institute, U.S. Naval War College; Visiting Scholar 2024-25, Fairbank Center for Chinese Studies, Harvard University
Shih-Diing Liu, Professor of Communication and Senior Research Fellow at the Institute of Advanced Studies, University of Macau; Visiting Scholar 2024-25, Fairbank Center for Chinese Studies, Harvard University

Join us for the second part of our special screening of River Elegy (河殇), the landmark 1988 Chinese documentary series that ignited nationwide debate with its bold critique of China’s historical path and traditional culture. This event will feature commentary from two of our current visiting scholars, Andrew S. Erickson (U.S. Naval War College) and Shih-Diing Liu (University of Macau).

We will present a newly restored digital transfer of the final four episodes of River Elegy: “Aura” (Episode 3), “A New Era” (Episode 4), “Worries” (Episode 5), and “Azure” (Episode 6). All episodes are in Chinese with newly translated, English-language subtitles.

First aired on CCTV1 in June 1988, River Elegy uses the color “yellow” (symbolizing the Yellow River and the Yellow Emperor) as a metaphor for cultural and political stagnation, contrasting it with “blue” (representing the open sea and maritime exploration) as a symbol of modernity and openness. Through poetic narration and a provocative visual collage of archival footage, the series critiques China’s Confucian traditions and historical isolationism, arguing that these forces hindered the country’s progress in the 20th century. It calls instead for reform, global engagement, and celebrates the economic liberalization taking place under Deng Xiaoping.

River Elegy struck a deep chord with a generation navigating the tensions of modernization. Its writer, Su Xiaokang, quickly became one of China’s most prominent public intellectuals. The documentary received high-level endorsement from Party figures including former president Yang Shangkun, Deng Pufang (son of Deng Xiaoping), and premier Zhao Ziyang—each of whom supported and even hosted special screenings of the series. But following the 1989 Tiananmen Square protests—which some scholars argue were partly catalyzed by River Elegy’s widespread influence—the series was banned amid a sweeping political crackdown.

Decades later, River Elegy remains a powerful historical document. Its themes continue to resonate, particularly as the liberal values that the series championed—democracy, human rights, the rule of law—appear increasingly embattled, not only in China, but also in the United States and around the world.

Andrew S. Erickson is a Professor of Strategy in the U.S. Naval War College (NWC)’s China Maritime Studies Institute, which he helped establish and has served as Research Director, and a member of the Council on Foreign Relations. He testifies periodically before Congress and briefs leading officials, including the Secretary of Defense. Erickson helped to escort the Commander of China’s Navy on a visit to Harvard and subsequently to establish, and to lead the first iteration of, NWC’s first naval officer exchange program with China. He has received the Navy Superior Civilian Service Medal, NWC’s inaugural Civilian Faculty Research Excellence Award, and NBR’s inaugural Ellis Joffe Prize for PLA Studies. His research focuses on Indo-Pacific defense, international relations, technology, and resource issues. Dr. Erickson was a 2019-2022 Visiting Scholar.

Shih-Diing Liu is Professor of Communication and a Senior Research Fellow at the Institute of Advanced Studies, University of Macau. Liu’s research focuses on exploring the emotional dynamics of politics, the formation of popular identity, the expressive and embodied forms of political practices, and the psychology of nationalism in contemporary China. His books include The Politics of People: Protest Cultures in China (SUNY Press, 2019) and Affective Spaces: The Cultural Politics of Emotion in China (Edinburgh University Press, 2024, with Wei Shi). Continuing with a focus on emotion from the Affective Spaces project, his current research explores the intersection of affect and gender in contemporary China. Arguing that Chinese gender has increasingly become an archive of feelings marked by ambivalence toward authorities, this book project uncovers the power of emotion in negotiating the gendered order. Meanwhile, he is also working on a book project that explores the emotional capabilities of Artificial Intelligence.

Schedule:

1:30 pm: Introductory Remarks by Shih-Diing Liu

1:45 pm: Episode 3: “Aura” & Episode 4: “A New Era” (70 min.)

3:00 pm: Comments from Andrew S. Erickson

3:15 pm: Episode 5: “Worries” & Episode 6: “Azure(63 min.)

RELATED READINGS:

Andrew S. Erickson and Lyle J. Goldstein, “Studying History to Guide China’s Rise as a Maritime Great Power,” Harvard Asia Quarterly 12.3-4 (Winter 2010): 31–38.

CLICK HERE TO DOWNLOAD A HARD COPY SCAN.

After six hundred years of Western dominance on and Chinese retreat from the world’s oceans, the tides of maritime history are returning to the east. While the U.S. Navy is diminishing quantitatively and European naval powers are in substantial decline, the nations of northeast Asia—with China foremost among them—are prioritizing naval and commercial maritime development.

China’s maritime potential, while clearly growing, is being debated intensively in Beijing. After almost six centuries of introversion, invasion, and quasi-colonization, that suppressed potentially advantageous developments in the maritime direction, China is reemerging as a commercial, military, and even ideational maritime power. Yet the dimensions, objectives, and course of this major phenomenon, which has significant implications for East Asia and the world, remain unclear. Mounting evidence suggests that purposes and prioritization of maritime development, particularly concerning the purposes and priorities of China’s future military development, is the subject of major domestic debate. The People’s Liberation Army Navy (PLAN) leadership and maritime industry players are naturally strong proponents of China becoming a major maritime power. Elements of the other PLA service branches and non-maritime interest groups, by contrast, tend to be less certain if not opposed. Representatives of all ‘factions’ of this debate seek historical lessons and present-day phenomena to bolster their arguments. Rather than representing a definitive break with China’s continental past, this is the first time in the history of the People’s Republic of China (PRC) that a ‘maritime faction’ truly has a chance to influence national policy.

Clearly China is moving increasingly in the maritime direction, and many relatively low cost measures have been implemented. The real question is to what extent more ambitious (and potentially expensive and provocative) maritime and naval initiatives can prevail in an environment of scarce resources and competing policy priorities. At the center of this policy debate is the question of whether China, conventionally viewed at home and abroad as a continental power, can transform itself into a continental-maritime power.

Since Beijing is unlikely to issue definitive policy statements concerning these important issues, a broad range of documents and historical analogies must be examined for clues as to the complex interplay of the decisions that will shape China’s maritime trajectory. One of the best sources to consider is a Chinese government study titled The Rise of Great Powers [Daguo Jueqi], which attempts to determine the reasons why nine nations (Portugal, Spain, the Netherlands, the United Kingdom, France, Germany, Japan, Russia, and the United States) became great powers; it is thus the subject of this article. … … …

EXCERPTED TEXT (pp. 32–33):

The Rise of Great Powers is not the first popular Chinese production to raise the issue of maritime development to the level of national popular discourse. In 1988 CCTV broadcast He Shang (River Elegy), which used the theme of China’s early development centering on the Yellow River to criticize “the mentality of a servile, static, and defensive people who always meekly hug to mother earth to eke out a miserable living, rather than boldly venturing forth on the dangerous deep blue sea in search of a freer, more exalted existence.” This ethos, which was quite consistent with the initial “reform and opening up” ethic of the Deng Xiaoping era, challenged viewers to consider: “How can the ‘yellow’ culture of the earth be transformed into the ‘blue’ culture of the ocean?” Like The Rise of Great Powers, River Elegy suggested that China had much to learn from the West. River Elegy was later viewed by Chinese officials as having helped to inspire the 1989 Tiananmen Square demonstrations, however, and was subsequently banned. In this sense, it is significant that the far more sophisticated and intellectually nuanced Rise of Great Powers seeks to analyze the rise of foreign powers objectively, even citing the development of Western political systems and institutions as great national strengths rather than focusing on the harm caused by Western exertion of power, as has much Marxist-Leninist propaganda in the past.

***

More detailed version:

Andrew S. Erickson and Lyle J. Goldstein, “China Studies the Rise of the Great Powers,” in Andrew S. Erickson, Lyle J. Goldstein, and Carnes Lord, eds., China Goes to Sea: Maritime Transformation in Comparative Historical Perspective (Annapolis, MD: Naval Institute Press, July 2009; paperback 15 June 2021), 401–25.

***

Andrew Rhodes, “The 1988 Blues—Admirals, Activists, and the Development of the Chinese Maritime Identity,” Naval War College Review 74.2 (Spring 2021): 61–79.

This article captures the nexus of culture and strategy in describing a key moment in the development of Chinese sea power. In the late 1980s, pro-democracy activists and the PLA were on divergent political paths, but both embraced similar language and concepts about the importance of the global maritime system. The parallel 1988 stories of the television documentary Heshang and the Navy’s campaign to occupy the Spratlys offer key insights into understanding China’s path to becoming a maritime power.

Andrew Rhodes is a career civil servant. He earned an M.A. in international relations from the Johns Hopkins University School of Advanced International Studies. In 2019, he graduated with highest distinction from the College of Naval Warfare, U.S. Naval War College (NWC), and is an affiliated scholar of NWC’s China Maritime Studies Institute.

Abstract

In 1988, the views of the prodemocracy creators of a popular documentary had little in common with the PLAN leadership’s views regarding China’s governance, but there is surprising overlap in the way the two groups were “selling the sea,” helping to explain a critical moment in the evolution of China’s maritime identity and commitment to maritime power.

Text of Article

The year 1988 marked a critical moment in China’s emergence as a maritime power. The seven months from February to August 1988 saw not only a major naval campaign in the Spratly Islands but also the startling cultural phenomenon of 河殇 (Heshang, or River Elegy), a multi-episode television documentary that called on China to turn away from tradition to embrace a maritime identity.1 The prodemocracy creators of Heshang and the People’s Liberation Army (PLA) Navy (PLAN) leadership had little in common in terms of how they thought China should be governed, but there is a surprising overlap in the way the two groups were “selling the sea,” or seeking to forge a more maritime future for China.2 These two parallel stories highlight an important but overlooked historical moment in the evolution of China’s maritime identity and its commitment to maritime power.

In China in 1988, several trends were building to a dramatic, and ultimately violent, crescendo, with major implications for Chinese society and China’s place in the world. A decade after the launch of Deng Xiaoping’s economic reforms, the movement that sought democratic political reforms and a new Chinese culture was developing powerful momentum and ties to the outside world—only to meet tragic suppression a year later at Tiananmen Square. At the same time, the PLA, and the PLAN in particular, was in the midst of its own reform and new engagement on the global stage. Consideration of the intersection of the cultural and political history of 1988 with the military and naval history of 1988 has focused—understandably—on the path to June 1989. But there are intriguing parallels, beyond mere coincidence, in the cultural and naval events of the spring and summer of 1988 that provide a new lens for viewing the relationship between Chinese culture and Chinese sea power.

Thirty-two years is not long in the grand sweep of naval history or Chinese history, but the rapid pace of PLAN development in the twenty-first century makes 1988 seem rather like the ancient past. The late 1980s are within the living memory of many scholars and strategists, but too few remember the events of 1988 and the global, regional, and national context in which they took place. For most Americans, the China of 1988 hides behind two veils—the Tiananmen Square massacre and the end of the Cold War—that obscure our view of important historical trends. Many of the key trends the world confronts today grew from seeds that already were germinating, in very recognizable ways, in 1988. A closer examination of 1988 suggests, for example, that the campaign begun in 2014 to build artificial islands in the Spratly Islands had unprecedented scope but emerged from actions driven by the “maritime mentality” and specific naval actions of 1988.3 Revisiting Heshang reveals how PLA leaders in the Xi Jinping era have echoed the language of 1988’s prodemocracy activists. The PLAN commander in 2014 wrote that China had suffered in the past because it “clung to the traditional thinking of valuing the land and neglecting the sea,” while the 2015 defense white paper called for China to abandon the “traditional mentality that land outweighs sea.”4

The next section of this article briefly will review key concepts in the literature on maritime identity and sea power, and will suggest taking a nuanced view of China’s evolution from a continental power to a more maritime power. Following this theory section, the two subsequent sections will explore the cultural dimensions and historical context in which Heshang emerged and the strategic context of the 1988 naval campaign. The final portions of the article will examine the interaction of these cultural and naval events, and how such a consideration enriches our understanding of China’s maritime identity. The article will conclude by arguing that the events of 1988 offer clear evidence that China’s commitment to sea power has been well under way for more than three decades, and has built on a surprisingly diverse basis of support over that period. … … …